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| The Institute of Creative Technologies (Photo credit: Wikipedia) |
Underpinning the concept of inclusive creativity is the aim of leveling the
playing field in performance and composition for disabled musicians by
developing new technologies and methodologies for their use. Three panels
will interrogate how contemporary creative practice and scholarship is
addressing this aim.
To participate in one of these panels please provide a 300-word outline of
how your practice and/or scholarship challenges state of the art in the
inclusive creative context with particular regard to one of the following:
* Composition and Performance*
* or*
* Development of new hardware and software*
* or*
* Training and validation *
All proceedings from the symposium will be published online.
Important Information
*Submission:* April 6, 2016.
*Review notification:* April 11, 2016
*Submit paper to:* jennifer@sharemusic.se
*Language:* English only
About
The core theme of the symposium is the impact of creative technologies on
artistic possibilities and inclusive ensembles and how to enhance
independence for musicians with disabilities. It is a unique gathering of
information and knowledge. We want to create a network for this kind of
research field, as well as examine the conditions to develop a new forum
including the Swedish perspective. The symposium kicks off with an official
event on 28 April.
<http://sharemusic.se/
Read more here: http://sharemusic.se/
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