As you know I am working like a crazy woman trying to finish up Libertaria: The Virtual Opera this summer. Like any overly ambitious project by someone that clearly has no concept about her human limits, I am down to the wire, dispensing with sleep, spending hours upon hours editing tiny frames that will pass by your eye in less than a second, and wondering why in the world did I decide over two years ago that I wanted to make a film AND I wanted to make an opera...and that my hair-brained solution as a fairly new mom at the time was to go for it and make a feature-length animated opera. CHECK OUT THE LATEST ANIMATION PROGRESS AT MOVIESTORM Working in Moviestorm The process has been amazing. I've collaborated with people that I have never met (the entire production has been done online through the Internet, Skype and social networking). I've gone through the proverbial struggles that any large scale creative endeavor has encountered from cast emergencies, technica
THE FUTURE OF MUSIC IS NOW. COMPOSER SABRINA PENA YOUNG | MUSIC TECHNOLOGY | FILM | CLASSICAL | OPERA