Please read the original article here: http://www.newmusicbox.org/articles/composing-and-motherhood/ COMPOSING AND MOTHERHOOD BY EMILY DOOLITTLE ON APRIL 26, 2017 When I started composing, as an 18 year old in 1990, I knew of few women composers. Those I did know of either had their careers curtailed when they had kids (Clara Schumann, Alma Mahler, Ruth Crawford Seeger), or they didn’t have kids (Pauline Oliveros, Meredith Monk, and the few women composers I knew personally). I thought I might want to have kids one day, and it was scary going into a field in which I knew no role models. But I needed to compose, and any possible kids were a long way off. Certainly I encountered occasional sexism as a student and young composer, but mostly I received great encouragement. My way of participating in the new music world was no different from that of my male contemporaries. I studied, [1] I went to music festivals, I lived abroad, I went to artist residencies, and most of
THE FUTURE OF MUSIC IS NOW. COMPOSER SABRINA PENA YOUNG | MUSIC TECHNOLOGY | FILM | CLASSICAL | OPERA