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Concerts, Opera Fun, and Cartoon Craziness!

After a few months off with the holidays, everything began to pick up again in February. Check out the latest music projects, opera updates, and concerts below!


Libertaria: The Virtual Opera
My contemporary opera Libertaria, an exciting animated sci-fi extavaganza about a runaway who tries to take down a genetics factory in 2139 AD, is in the middle of music production. The talented Libertaria cast, including leads Kate Sikora, Gretchen Suarez-Pena, and Gracia Gillund, has been busy like crazy recording the latest in musical mayhem from Libertaria. Recordings include excerpts from the epic march "Pilar of the Underground" and the slightly psychotic "Baby Machine" (bet you wonder what that is about?). Other cast members, including Jennifer Hermansky, who just finished her senior recital (go Jennifer!) and Matthew Meadows, who is buried in the snow during his Rango Project, are busy balancing opera fun with busy music lives. The animation and sound team from Libertaria have also started work, with Art Director Carol Damian beginning work on the opening credit animations. More on sound and animation soon!

Concerts
There are a few concerts for the spring. A talented composer's choir in Argentina will be presenting Movements 1 and 2 from my award-winning multimedia Creation Oratorio. In New York City, an acoustic version of "Light" will be performed by the Association of Dominican Classical Artists. Palm Beach Atlantic University recently showed multimedia work, and the Vox Novus 60x60 continues to travel the globe with my work "American Recall" in tow.

Monica
I am very excited to be composing the soundtrack for cartoonist Rob Cabrera's animated short "Monica". Can't give away too much, but more info on this exciting film project is coming soon!

And more!
There are several other projects in the works, including a few articles in upcoming publications and websites, a new Athena 60x60 project, and possibly a few new works, in between opera production! Exciting times!

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Music Secrets: How to Write an Opera, Part 1

Feel like writing an opera is only for big name composers with big budgets? Or are you willing to take the plunge and create a work in one of the most compelling and cutting edge musical forms...an opera? Almost two years ago I embarked on the largest musical production I have created to date -  Libertaria: The Virtual Opera. After writing the award-winning Creation Oratorio and dozens of multimedia works, I wanted to combine my love of the audio and the visual into a single large scale work.  Find a Great Dramatic Story You need a strong story to write a compelling opera. Fortunately you can easily borrow from thousands of public domain works and modernize them. Think of West Side Story (just a contemporary version of Shakespear's Romeo and Juliet) .   Many great operas use Shakespeare, the Brothers Grimm , and Biblical stories, all of which include interesting characters, strong themes, and action.   Libertaria borrows heavily from messianic stories, but is se

Music Secrets: How to Write an Opera, Part 2

Music Secrets: How to Write an Opera, Part 2 After the incredibly positive feedback that I had from Music Secrets: How to Write an Opera, Part 1 , I thought I would talk a little bit about the composition angle of writing, at least how I do it in regards to vocal music . Here's a quick primer for anyone learning some of the basics of writing vocal music for opera, musicals, classical music , etc.  1. The Sketch I have had several great teachers in my life - Dr. Clare Shore , Hilton Jones, Dr. Kristine Burns, Paul Reller , Dr. Frederick Kaufman, Dr. Orlando Garcia, Chuck Owen, etc. My composition prof (and USF SYCOM guru) Paul Reller helped me develop the composition technique that I have had for years.  Download the Libertaria: The Virtual Opera Soundtrack at iTunes When I have the time to go through the entire composition process (because sometimes I have to skip a step or two for deadlines), I will start out with pencil, paper, and a piano (or keyboard, in my case).

Free Classical Sheet Music and Free Opera Downloads @ Scribd

Sheet Music (Photo credit: jayneandd ) Awhile ago I decided that I would upload the bulk of my music scores and sheet music to sites like Scribd, the Petrucci Music Library , and Archive.org for free sheet music downloads. Some musicians told me that it was ridiculous to give away my music. The truth is that I don't depend on music publishing sales of my scores, and I would rather inspire a young piano student, percussion ensemble, opera singer, grandma, bored music student, or music teacher to play and study my music than hold on tight to my copyrights and let my music scores collect virtual dust on my hard drive.  The Petrucci Library, Scribd, and Archive.org all have dozens of free music scores available for choir, vocal solos, piano, percussion, orchestra, opera, multimedia works, and more. You can see a short list of available free sheet music by checking out the Scores page. You might want to check out scores to my modern opera Libertaria: The Virtual Opera , an ex

Free Sheet Music Download: Classical Music Flute Solo Airborn Sand by Composer Sabrina Pena Young

Free Sheet Music Download: Classical Music Flute Solo Airborn Sand by Composer Sabrina Pena Young FREE MUSIC DOWNLOAD:  http://imslp.org/wiki/Airborn_Sand_(Young,_Sabrina_Pena) Originally composed during a hurricane in South Florida . Inspired by a news reporter 's comments about "Airborne sand " whipping through her hair, the composer decided to write a work for flute that imitated the movements of sand whirling on a beach during a hurricane. It was subsequently performed at the University of South Florida in Tampa . Flute Solo Related articles Friday Freebie: Old Rugged Cross The Landing - Science fiction Robot music - Sabrina Pena Young Music Marketing Secrets: How to Use Twitter, Youtube, Social Media - S P... Quiz: Which Classical Music Era Are You? Latest iTunes 12.5 Beta Should Please Classical Music Fans After Dark - Romanian Rhapsody concert at the Limerick City Gallery of Art Russian inspiration for Clandeboye Festival The Tran

How to Write Film Music in 5 Easy Steps

How to Write Film Music in 5 Easy Steps How to write film music in five simple steps for any composer. Thanks for checking out this video! Subscribe for more great content! Like this? Then check out AMAZON BESTSELLER Composer Boot Camp 101, a comprehensive guide to songwriting, composition, and film music with 50 exercises for students, educators, and music professionals! DOWNLOAD TODAY

The Phantom of the Opera - Prague Cello Quartet

The Phantom of the Opera - Prague Cello Quartet

What Skills Do You Need to Become a Songwriter?

What Skills Do You Need to Become a Songwriter?  Becoming a successful songwriter is the dream of many musicians. But knowing how to write a song , learn an instrument, and make a successful musical career can seem impossible. Well, it does take a lot of work. Not everyone that wants to be a professional musician will succeed, and many just enjoy writing songs as a fun hobby for their enjoyment.  Do I need to Sing or Play a Musical Instrument? This might seem like a simple question, but it actually has a complicated answer. Why? Some songwriters never learned a single instrument yet can come up with great lyrics and catchy melodies. Others have played piano or guitar for years or are trained singers. So what is the answer?  As a songwriter, you need to understand different aspects of the songwriting process. That doesn't mean you have to have an incredible voice or be the best guitar player on the block. What it does  mean is that you need to know music. There is no better

What is Blue? and other Post Postmodernist Thoughts

1000 Pennies for Your Thoughts - NARA - 534149 (Photo credit: Wikipedia ) One of my many hats is online university instructor. I teach courses in Media and Music History. In my Media in American Society class, we discuss many aspects of media, including truth in media, media conglomeration, marketing, advertising, and the like.  Today my students had an intriguing discussion/debate online about news and partisan politics. The debate was a healthy one, with some students claiming that they see all sides, others describing their favorite political pundits, and others lamenting the lack of authenticity in the media today. In the end, the fact that there would be no answer to today's questions, largely due to the lack of authenticity and the inability to trust anything in print, online, on a TV, spoken by a political leader, etc. etc., I brought up a short discussion on postmodernism, postpostmodernism , and its effects on American culture.  Here is a small snippet that I though