Skip to main content

Composer Musings: You just finished an opera...now what?

Composer Searches for Creative Meaning after Completion of Opera

After two years of opera production, collaborating with a talented cast and crew via the Internet, working with composer Patrick Rundbladh on making 1000 takes into one cohesive soundtrack and album, promoting and premiering the opera, and preparing a series of lectures and books on Libertaria: The Virtual Opera, I start 2014 wondering where I should spend my creative efforts. To be honest, once production finished I had an album project, classes to teach, and a Christmas flu to get over, so life has not slowed down, it's just diverged in its efforts. 

My brain is scattered in its myriad of options. I do want to finish the novel Libertaria (sneak peak below) and perhaps start on the graphic novel series for the story, and I suppose that would be enough considering the usual teaching load plus "real" life with my family. Yet, after running on fumes for the last year, it feels strange to be without any real deadlines or pressing matters. Yes, I have a few events I need to plan for like a presentation at an upcoming music festival and a local Buffalo Women and Arts festival (more details to come), but somehow I feel drained, creative juices either stagnant or simply dried up. 
Leonard Bernstein
What do I do?
And then, of course, there are questions of "What are you doing next?" which is something like "Are you having another one?" after a mother has just birthed her third child. 

English: russian Composer Igor Stravinsky Русс...
Brooding Composers Unite
I wonder if Stravinsky or Bernstein or Wagner or Beach ever felt this way? Creative numbness perhaps is the best description. (I'm guessing Cage had more hallucinogenic ways of dealing with the afterbirth of a large music production). I'm tempted by a dozen ways to expand on the opera, including creating a full scale acoustic production (twice as long in length) or perhaps a smaller ensemble version for an opera workshop, but maybe that is like preparing a toddler for the Ivy League, presumptuous and somewhat pointless given the number of outside factors that can affect success. 

So I think I will let the production ripen a little longer and hope in a short while that the musical synapses in my mind will begin firing again for my next masterpiece. (And let's hope that after this post, I can finally go back to some much-needed sleep!)

Enhanced by Zemanta

Comments

HOTTEST POSTS!

Music Secrets: How to Write an Opera, Part 1

Feel like writing an opera is only for big name composers with big budgets? Or are you willing to take the plunge and create a work in one of the most compelling and cutting edge musical forms...an opera? Almost two years ago I embarked on the largest musical production I have created to date -  Libertaria: The Virtual Opera. After writing the award-winning Creation Oratorio and dozens of multimedia works, I wanted to combine my love of the audio and the visual into a single large scale work.  Find a Great Dramatic Story You need a strong story to write a compelling opera. Fortunately you can easily borrow from thousands of public domain works and modernize them. Think of West Side Story (just a contemporary version of Shakespear's Romeo and Juliet) .   Many great operas use Shakespeare, the Brothers Grimm , and Biblical stories, all of which include interesting characters, strong themes, and action.   Libertaria borrows heavily from messianic sto...

FREE MOVIE Spiritus : Science Fiction Animation | Sabrina Young Film

In this visually compelling animated sci-fi film by Buffalo filmmaker Sabrina Young, a neurotic janitor hitchhikers her way to the dying exoplanet Spiritus to escape the truth of her past in this visually stunning animated machinima film by award-winning Cuban American Director and Composer Sabrina Peña Young. Thrown into the Asylum by her parents after a violent incident, Eleora longs to join the SpaceX crew to journey to Spiritus. Captain Reginald Hunter, a loser playboy, will do anything to stop her from finding the mysterious Ancient alien seer who calls to her light-years away. Created using a combination of original watercolor paintings created by the director's 8-year-old daughter and video-game inspired machinima, and accompanied by Young's riveting electronica Stranger Things inspired soundtrack, Spiritus promises to take the audience to an unforgettable fantasy adventure. Nominated for Best Animation at the Buffalo Dreams Fantastic Film Festival 2019. Directed...

Bandwidth Media & Film | Sabrina Pena Young

Bandwidth Media & Film provides world class SEO writing services | Sabrina Pena Young

Graphic Design Reel 2022 | Sabrina Pena Young

Space Apps Challenge 2020 Generation Artemis - Sabrina Young

Practicing my Malletkat after converting my studio space into a virtual performance space.

Las Aguas - Electronica - Sabrina Pena Young

Electronica work Las Aguas from the prizewinning multimedia Creation Oratorio by Sabrina Peña Young. Originally commissioned by the Millikin University Womens Choir and Percussion Ensemble. Program notes and Translation: Las Aguas Cielos Sky/Heavens Separe las aguas de las aguas Separate the waters from the waters Aire Air La vida Life (Swahili) Maisha Life Bahari Sea/Ocean Hewa Air Iwepo nafasi kati ya maji igawe maji na maji. Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. Kuwepo na viumbe hai tele kwenye maji, ndege waruke juu ya dunia katika nafasi ya anga Let the waters swarm with living creatures; let birds fly above the earth across the expanse of the heavens.

Space Apps 2020 - Artemis Generation - Sabrina Young

The Phantom of the Opera - Prague Cello Quartet

The Phantom of the Opera - Prague Cello Quartet