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Film Music, Audiomine, Opera, and More Music

This summer has been busy with music and traveling fun. Check out updates on this summer's music projects:

MONICA by Rob Cabrera
Rob Cabrera's animated short Monica is set for release in 2013. Already an award-winner, Monica promises to be an exciting adventure for kids and grown-ups alike! Creating the fun and quirky cartoon sci-fi inspired score was a fun challenge. Taking inspiration from sources as varied as Marvel movie scores, Japanese pop, and Bernard Hermann, I enjoyed creating a memorable electronic score. Even my daughter had a chance to take part when I dubbed her high-pitched "Monica" over the title screen. Keep an eye out for Monica.

AMERICANA by Sean Fleck
Imagine having an eagle's eye view of America with incredible timelapse footage. Clouds roll away, the desert beckons, the lights of the city become dizzying...all this and more is what you will experience with Sean Fleck's work Americana, now available online.

FUTURE OF MUSIC SYMPOSIUM
This summer I enjoyed giving the talk "Tech-Nerds: Contemporary Composition in the Digital Age", a lecture focusing on the use of social networking, internet technology, and collaborative projects. During the lecture, I also focused on the collaborative efforts of Libertaria: The Virtual Opera, including discussions on how I used internet sites like Music Xray and Wreckamovie to find amazing talent throughout the US and beyond. This talk was part of the annual symposium event hosted by the Oklahoma Composer's Association.  

WOMEN IN SOUND ART: 7 MUSICAL MICRO-PORTRAITS
Over the summer TERZ, an international online music magazine published my article Women in Sound Art: 7 Musical Micro-Portraits.  This article gives a brief outline of seven women working in electronic music and sound art. Narrowing down the scope of the article was difficult, as there are so many talented women that are involved in sound art. For this article I chose seven women who represented sound art and electronic music in a variety of interesting ways, each one was somewhat different in her approach to composition and each primarily works with technology. The composers discussed include Pauline Oliveros, Maggi Payne, Alice Shields, Adina Izarra, Brenda Hutchinson, Annea Lockwood, and Elainie Lillios. All have made significant contributions to the field. Many of the composers participated in an interview, which brought an extra level of depth and understanding to each composer's work. Needless to say, this article is an excellent resource for both the music lover and the academic.

AUDIOMINE
This summer Audiomine published over 100 of my tracks, ranging from symphonic to sci-fi to corporate as part of their extensive catalog. Audiomine is a custom music provider for film, TV, and commercials. As one of Audiomine's exclusive composers, I will be working on adding a significant body of commercial music and film music for film/TV this fall. Clients interested in hiring me for their film or licensing my music for their projects can contact Audiomine.

MODERN EAR TRAINING
This summer I published the ebook Modern Ear Training with Garageband, Audacity, and Noteflight, part of a new ear training ebook series from Easy Ear Training.com. Modern Ear Training provides an easy way to develop ear training skills using popular music programs like Garageband and Audacity. Modern Ear Training is one of Amazon's top new releases in technology education.


LIBERTARIA: THE VIRTUAL OPERA
I will have to add a separate post on music production for Libertaria later this month. We are wrapping up music production. Libertaria is nothing without the talent of our cast and crew. Leads Kate Sikora, Gretchen Suarez-Pena, Matthew Meadows, and Perry Cook have all dedicated a significant amount of time to the project, as well as cast members Jennifer Hermansky, Alan Manuel Pena, and Gracia Gillund. Music Advisor Dr. Clare Shore will be hosting the premier event in South Florida in October 2013. As we wind down music production, animation production begins, with talents like Caroline Damien and Lucinda McNary, among many others. More on Libertaria soon!


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Music Secrets: How to Write an Opera, Part 1

Feel like writing an opera is only for big name composers with big budgets? Or are you willing to take the plunge and create a work in one of the most compelling and cutting edge musical forms...an opera? Almost two years ago I embarked on the largest musical production I have created to date -  Libertaria: The Virtual Opera. After writing the award-winning Creation Oratorio and dozens of multimedia works, I wanted to combine my love of the audio and the visual into a single large scale work.  Find a Great Dramatic Story You need a strong story to write a compelling opera. Fortunately you can easily borrow from thousands of public domain works and modernize them. Think of West Side Story (just a contemporary version of Shakespear's Romeo and Juliet) .   Many great operas use Shakespeare, the Brothers Grimm , and Biblical stories, all of which include interesting characters, strong themes, and action.   Libertaria borrows heavily from messianic stories, but is se

Music Secrets: How to Write an Opera, Part 2

Music Secrets: How to Write an Opera, Part 2 After the incredibly positive feedback that I had from Music Secrets: How to Write an Opera, Part 1 , I thought I would talk a little bit about the composition angle of writing, at least how I do it in regards to vocal music . Here's a quick primer for anyone learning some of the basics of writing vocal music for opera, musicals, classical music , etc.  1. The Sketch I have had several great teachers in my life - Dr. Clare Shore , Hilton Jones, Dr. Kristine Burns, Paul Reller , Dr. Frederick Kaufman, Dr. Orlando Garcia, Chuck Owen, etc. My composition prof (and USF SYCOM guru) Paul Reller helped me develop the composition technique that I have had for years.  Download the Libertaria: The Virtual Opera Soundtrack at iTunes When I have the time to go through the entire composition process (because sometimes I have to skip a step or two for deadlines), I will start out with pencil, paper, and a piano (or keyboard, in my case).

Free Classical Sheet Music and Free Opera Downloads @ Scribd

Sheet Music (Photo credit: jayneandd ) Awhile ago I decided that I would upload the bulk of my music scores and sheet music to sites like Scribd, the Petrucci Music Library , and Archive.org for free sheet music downloads. Some musicians told me that it was ridiculous to give away my music. The truth is that I don't depend on music publishing sales of my scores, and I would rather inspire a young piano student, percussion ensemble, opera singer, grandma, bored music student, or music teacher to play and study my music than hold on tight to my copyrights and let my music scores collect virtual dust on my hard drive.  The Petrucci Library, Scribd, and Archive.org all have dozens of free music scores available for choir, vocal solos, piano, percussion, orchestra, opera, multimedia works, and more. You can see a short list of available free sheet music by checking out the Scores page. You might want to check out scores to my modern opera Libertaria: The Virtual Opera , an ex

Free Sheet Music Download: Classical Music Flute Solo Airborn Sand by Composer Sabrina Pena Young

Free Sheet Music Download: Classical Music Flute Solo Airborn Sand by Composer Sabrina Pena Young FREE MUSIC DOWNLOAD:  http://imslp.org/wiki/Airborn_Sand_(Young,_Sabrina_Pena) Originally composed during a hurricane in South Florida . Inspired by a news reporter 's comments about "Airborne sand " whipping through her hair, the composer decided to write a work for flute that imitated the movements of sand whirling on a beach during a hurricane. It was subsequently performed at the University of South Florida in Tampa . Flute Solo Related articles Friday Freebie: Old Rugged Cross The Landing - Science fiction Robot music - Sabrina Pena Young Music Marketing Secrets: How to Use Twitter, Youtube, Social Media - S P... Quiz: Which Classical Music Era Are You? Latest iTunes 12.5 Beta Should Please Classical Music Fans After Dark - Romanian Rhapsody concert at the Limerick City Gallery of Art Russian inspiration for Clandeboye Festival The Tran

How to Write Film Music in 5 Easy Steps

How to Write Film Music in 5 Easy Steps How to write film music in five simple steps for any composer. Thanks for checking out this video! Subscribe for more great content! Like this? Then check out AMAZON BESTSELLER Composer Boot Camp 101, a comprehensive guide to songwriting, composition, and film music with 50 exercises for students, educators, and music professionals! DOWNLOAD TODAY

The Phantom of the Opera - Prague Cello Quartet

The Phantom of the Opera - Prague Cello Quartet

What Skills Do You Need to Become a Songwriter?

What Skills Do You Need to Become a Songwriter?  Becoming a successful songwriter is the dream of many musicians. But knowing how to write a song , learn an instrument, and make a successful musical career can seem impossible. Well, it does take a lot of work. Not everyone that wants to be a professional musician will succeed, and many just enjoy writing songs as a fun hobby for their enjoyment.  Do I need to Sing or Play a Musical Instrument? This might seem like a simple question, but it actually has a complicated answer. Why? Some songwriters never learned a single instrument yet can come up with great lyrics and catchy melodies. Others have played piano or guitar for years or are trained singers. So what is the answer?  As a songwriter, you need to understand different aspects of the songwriting process. That doesn't mean you have to have an incredible voice or be the best guitar player on the block. What it does  mean is that you need to know music. There is no better

What is Blue? and other Post Postmodernist Thoughts

1000 Pennies for Your Thoughts - NARA - 534149 (Photo credit: Wikipedia ) One of my many hats is online university instructor. I teach courses in Media and Music History. In my Media in American Society class, we discuss many aspects of media, including truth in media, media conglomeration, marketing, advertising, and the like.  Today my students had an intriguing discussion/debate online about news and partisan politics. The debate was a healthy one, with some students claiming that they see all sides, others describing their favorite political pundits, and others lamenting the lack of authenticity in the media today. In the end, the fact that there would be no answer to today's questions, largely due to the lack of authenticity and the inability to trust anything in print, online, on a TV, spoken by a political leader, etc. etc., I brought up a short discussion on postmodernism, postpostmodernism , and its effects on American culture.  Here is a small snippet that I though