Behind The Music: Composing for Fan-Favorite projects
Featuring the musically creative minds behind this year's top sci-fi/fantasy/action/animated television series and highly anticipated films. A group of talented composers describe how they elevate scoring to new heights, provide sneak peaks to their projects, and participate in WonderCon's exclusive debut of a LIVE composing demo. Prolific composers include Nathan Barr (True Blood), Jim Dooley (Wilfred), Robert Duncan (Castle), Mark Isham (Once Upon A Time), Danny Jacob (Phineas and Ferb), David Ari Leon (The Avengers: Earth's Mightiest Heroes) and Blake Neely (The Mentalist). Moderated by actress Ellen Greene (Pushing Daisies). A Q&A session and exclusive giveaways will follow the discussion! Hosted by CW3PR, Costa Communications and ASCAP.
WONDERCON
http://www.comic-con.org/wc/
Feel like writing an opera is only for big name composers with big budgets? Or are you willing to take the plunge and create a work in one of the most compelling and cutting edge musical forms...an opera? Almost two years ago I embarked on the largest musical production I have created to date - Libertaria: The Virtual Opera. After writing the award-winning Creation Oratorio and dozens of multimedia works, I wanted to combine my love of the audio and the visual into a single large scale work. Find a Great Dramatic Story You need a strong story to write a compelling opera. Fortunately you can easily borrow from thousands of public domain works and modernize them. Think of West Side Story (just a contemporary version of Shakespear's Romeo and Juliet) . Many great operas use Shakespeare, the Brothers Grimm , and Biblical stories, all of which include interesting characters, strong themes, and action. Libertaria borrows heavily from messianic stories, but is se
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